概念空间

沐。光

作品名稱:

沐。光Sprinkled Limpidity

設 計 師:

唐忠漢Chung-han, Tang

設計風格:


房屋格局:

單層

建案地點:

台北

攝影師:

李國民Kuo-min, Lee

空間坪數:


空間格局:


主要建材:

觀英石 國畫石 白洞石 黃金柚木 繃布

設計理念:

沐。光

 

沐浴於光中之空間儀式 找尋真實之平靜

 

意象

 

延續北投原生環境之自然景觀於空間中,以泉、木、樹、石意象為根本,帶予空間勃勃生氣;同時刻意選用與建築外觀相同材質之洞石、柚木及萊姆石,傳達一致的樸質溫暖人文企業形象,卻以不同排列建構,重新詮釋內空間。

 

儀式隱喻

 

藉由入口軸線延伸至底,借景室外老樹綠蔭如畫。運用足夠的空間高度,材料語彙以垂直向度分割,加強視覺經驗。

 

大面窗景充分引入自然景致,電視牆放低串連起居室與臥室,入房後綠意盡收眼底。浴室雙入口回形動線,溫泉池上方天井同時帶入大量日光,浴室處於客房最明亮的位置,宛如心臟,強調傍日光天色而心境沈澱的體驗。

 

Sprinkled Limpidity

 

Bathing while embracing sunlight is the ceremony of calming by the   space.

 

Imagery

The natural scenery of Beitou's indigenous environment is to be   extended inside the space. Springs, wood, trees, and rocks are to serve as   the foundation of the imagery and to imbue vitality and vibrancy to the   space. Travertine, teak and limestone are the purposely chosen material,   which are identical to the exterior appearance of the building. The image   consistently transmitted is one of a simple and warm cultural enterprise, but   with new layout and arrangements, the interior space has been re-interpreted.

 

Metaphor of the Ceremony

 

It extends from the entrance line all the way to the end, a   painting-like scenery of the old tree outside decorates the interior. With   sufficient height of the space, the materials and vocabulary of the room tend   towards vertical division to emphasize the visual experience.

 

The large window brings the outside natural scenery inside, the TV   wall has been lowered so that the living room and bedroom forms one   interconnected area. Enter the room and you will be greeted by the sight of   greenery. The double entrance to the bathroom forms a part of the inner/outer   circle movement paths. The skylight above the hot spring pool allows high   exposure to the sunlight. The bathroom is situated in the brightest location   of the guest room, serving as the heart of the space. The emphasis is on the   condensation of the mind and spirit while bathing in the light of dusk.


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